Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. #Editready h.265 fullHeres the full list of added features and fixes in the 1.2.1 update. #Editready h.265 professionalUse the overlay editor to position graphical elements for compositing on top of your video. This effectively makes EditReady the best and fastest solution for professional management of Samsung NX1 h.265 footage. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. As for 10 bit support, it isn't supported using Nvidia right now. What you are probably talking about instead of x265, is H.265. The first one is hardware encoding using an Nvidia GPU. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. First of all, NVENC and x265 are two different encoder types. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. You can even use metadata to automatically rename files. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. EditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. And when youre done, your edit-ready ProRes and DNxHR recordings are. Every codec gets transcoded as its makers intended it to. record up to 4Kp60 10-bit HDR video direct from your cameras sensor over H. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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